The River God
Located within the captivating Parham Park in Sussex stands an extraordinary sculpture, a faithful replica of an original lead figure from the 18th century. This remarkable piece, brought to Parham by Robert Curzon during the latter half of the 19th century, originates from Hagley Hall in Staffordshire. As we delve into the background of this sculpture, we discover intriguing connections between renowned artists of the time.
Although its exact origins remain somewhat uncertain, there is a strong possibility that this masterpiece emerged from the skilled hands of John Cheere. However, its roots can be traced back to the notable work of Michael Rysbrack, known for crafting a mesmerizing marble relief for East India House in the 1720s. Today, Rysbrack's creation graces the Council Chamber of the Foreign Office in Whitehall, evoking a sense of history and grandeur.
Regardless of whether this figure should be attributed to Cheere or Rysbrack, one undeniable truth remains — it epitomizes the captivating elegance of 18th century style. Every intricate detail contributes to its profound beauty and undeniable charm. The figure's posture exudes poise and grace, seemingly frozen in a moment of eternal contemplation.
Notably, the god leans effortlessly against a gadrooned jar, a uniquely crafted element that serves a dual purpose. Apart from accentuating the overall aesthetic, the jar also conceals a hidden function. It is ingeniously designed to allow water to gush forth, adding a touch of dynamism and enchantment to the sculpture. As the liquid emerges, akin to a timeless spring, it infuses life into the figure's serene countenance, capturing the essence of the natural world.
Length 6’8” (2.03m)
Height 45” (1.14m)
Located within the captivating Parham Park in Sussex stands an extraordinary sculpture, a faithful replica of an original lead figure from the 18th century. This remarkable piece, brought to Parham by Robert Curzon during the latter half of the 19th century, originates from Hagley Hall in Staffordshire. As we delve into the background of this sculpture, we discover intriguing connections between renowned artists of the time.
Although its exact origins remain somewhat uncertain, there is a strong possibility that this masterpiece emerged from the skilled hands of John Cheere. However, its roots can be traced back to the notable work of Michael Rysbrack, known for crafting a mesmerizing marble relief for East India House in the 1720s. Today, Rysbrack's creation graces the Council Chamber of the Foreign Office in Whitehall, evoking a sense of history and grandeur.
Regardless of whether this figure should be attributed to Cheere or Rysbrack, one undeniable truth remains — it epitomizes the captivating elegance of 18th century style. Every intricate detail contributes to its profound beauty and undeniable charm. The figure's posture exudes poise and grace, seemingly frozen in a moment of eternal contemplation.
Notably, the god leans effortlessly against a gadrooned jar, a uniquely crafted element that serves a dual purpose. Apart from accentuating the overall aesthetic, the jar also conceals a hidden function. It is ingeniously designed to allow water to gush forth, adding a touch of dynamism and enchantment to the sculpture. As the liquid emerges, akin to a timeless spring, it infuses life into the figure's serene countenance, capturing the essence of the natural world.
Length 6’8” (2.03m)
Height 45” (1.14m)
Located within the captivating Parham Park in Sussex stands an extraordinary sculpture, a faithful replica of an original lead figure from the 18th century. This remarkable piece, brought to Parham by Robert Curzon during the latter half of the 19th century, originates from Hagley Hall in Staffordshire. As we delve into the background of this sculpture, we discover intriguing connections between renowned artists of the time.
Although its exact origins remain somewhat uncertain, there is a strong possibility that this masterpiece emerged from the skilled hands of John Cheere. However, its roots can be traced back to the notable work of Michael Rysbrack, known for crafting a mesmerizing marble relief for East India House in the 1720s. Today, Rysbrack's creation graces the Council Chamber of the Foreign Office in Whitehall, evoking a sense of history and grandeur.
Regardless of whether this figure should be attributed to Cheere or Rysbrack, one undeniable truth remains — it epitomizes the captivating elegance of 18th century style. Every intricate detail contributes to its profound beauty and undeniable charm. The figure's posture exudes poise and grace, seemingly frozen in a moment of eternal contemplation.
Notably, the god leans effortlessly against a gadrooned jar, a uniquely crafted element that serves a dual purpose. Apart from accentuating the overall aesthetic, the jar also conceals a hidden function. It is ingeniously designed to allow water to gush forth, adding a touch of dynamism and enchantment to the sculpture. As the liquid emerges, akin to a timeless spring, it infuses life into the figure's serene countenance, capturing the essence of the natural world.
Length 6’8” (2.03m)
Height 45” (1.14m)